Libby's Media Blog

Evaluation of "The Lodger"

2010-04-22T01:57:00.000-07:00

1. In what ways does your media production use, develop or challenge forms and conventions of real media product?
The Lodger is a mainstream thriller, as a result of that it was created with many aspects as possible from iconic thriller films. Inspiration was taken from independent research into thriller films such as Alfred Hitchcock’s “Psycho” and Carol Reed’s “The Third Man” in order to produce effective costumes and mise-en-scene’s that represent each character and time that the film is set in and to achieve the mainstream characteristic that appeals to the target audience. Psycho’s Marion really inspired the creation of leading character “Abigail”. When developing her character it was important not to look into her personality as this was something that was very different from Abigail’s.
I felt that Marion portrayed a classy and sophisticated woman very well through her image. Marion’s well groomed appearance was used for inspiration, however a more modern interpretation was used for Abigail, for example: Abigail wears a white shirt, similar to the one pictured on Marion. You rarely see Abigail’s face however; we produced two shots which focus mainly on her face and eyes. We thought this was important in order to show the audience the importance of Abigail in the film and too also reflect her personality, showing her more vulnerable side as she prepares for her birthday meal.

Inspiration was also taken from “The Third Man’s” Harry Lime, developing ideas from the costumes for the murdering character “Scott”. His long black coat, black trousers and shoes question his innocence and suggest that he could be a very sinful character. We felt it was important to make the costumes look as professionally done as possible in order to meet the expectations of a mainstream thriller. We also felt that the interior and exterior
décor of the housing in the thriller created a perfect chilling mise-en-scene and therefore used Libby’s house as a setting because of the antic presentation it carried. The doorway from the famous tilted shot of Harry Lime in “The Third Man” is inspired in a shot from “The Lodger” when “Lisa” the best friend of Abigail, approaches the door with flowers and a birthday card. The archway represents closure and how the events that follow may trap the characters. The famous shot from "Sin City's" front cover inspired one particular shot in the production of our thriller, the shot as Scott stands at the bottom of the stairs with the blood covered knife. The importance of this shot is shown because the title then appears, showing the audience that the film has begun.

Our soundtrack starts as Scott approaches the house. The shots before this, shows no sign that this is a thriller film so as the music jumps into play the audience immediately become more intrigued. It was felt that this was the perfect place to start our music because the audience can then identify that Scott is a dangerous and ruthless character and that something back is starting to unveil itself. It also creates suspension, it’s almost as though as the music gets louder so does the heart beat of the audience. “A Clock Work Orange” also opens with the music starting at low volume and slowly building up as the characters start to be unveiled, also as the tempo of the soundtrack begins to build up, the audience can tell that the climax of the opening is approaching, adding more suspense to the viewing. The music then stops as we see Lisa’s flowers being dropped out of fear as she starts to realise something has happened to Abigail, the suspense of the film turns into shock and the audience are frozen. Only diegetic sound can then be heard from that point so that the audience can relate to the scenes more, becoming more involved and feeling empathy for Abigail who has just lost her life.

Only one main location was used for the filming production of our thriller opening, Libby’s house. This house was used because we felt it carried some similar characteristics to a ‘haunted house’, such as the big front door, the wooden floors and the general antic looking décor. We felt by using a
house as a base for our murder scene was perfect because it gives a very personal impression. A house is someone’s home and very personal too them, it’s a place in which you feel safe and warm, therefore for a murder to take place in it, these characteristics are no longer there and the film becomes more spooky and thrilling as there is no safer place than your own home. The summerhouse at the bottom of the garden also carried a cabin type look, something which can immediately be identified with Eli Roth’s “Cabin Fever”. Both places related to sinful events.

The shower itself in which Abigail gets murdered is something the audience can relate too. It’s something that people use everyday, something that we come across so often that we do not believe anything sinful could ever happen there. The rush of the water, not only washes Abigail’s blood away as she lays stone cold in the shower, but it is also washing away her life. The diegetic shower sound almost replaces the soundtrack, the calm sound of the water running can be heard as the audience feel great compassion for Abigail. I feel that the audience will connect with the characters and that this will lead to an attachment with the rest of the film, which is what I aimed for.

Abigail’s name mainly signifies her innocence. Via the soft pronunciation of the name, people can identify her loving and trusting personality. It helps to reveal to the audience what her personality holds in a very short space of time, her name appears next to her face as each character is created, her name connects with her innocent face and therefore easy for the audience to identify her sensitive personality. Scott’s name is very harsh sounding because of its small and bunt pronunciation. The name almost hides him, as though Scott isn’t his real name and he carries a concealed identity. Abigail’s best friend “Lisa” also has a very hidden name. As the viewers are unaware of what identity Lisa holds it is hard for them to make a judgment about her. It opens the question of, who is she? Will she be the next victim? Did she maybe have something to do with it? This will help create a gripping cliff hanger.

As previously explained before, Abigail holds an inspired look from Psycho’s Marion Crane. Her personality on the other hand is very innocent and ‘ditsy’. Her personality can also be closely linked with that of “Thelma and Louise’s” Thelma. Thelma much like Abigail is a very loving and calm person and we see that in her vulnerability at the start. Again, like Abigail, Thelma is a victim of Louise’s wild personality, whilst Abigail is a victim of Scott’s evil and cunning plans. Although Scott is seen as a very evil and cunning man, the audience are unaware of Scott’s background. This adds to the tension building up into the rest of the film. Scott commits a murder because he is truly in love with Abigail. Thelma and Louise also commit a murder, linked in with the confusing elements of relationship and lust.

“The Lodger” may be a very obvious title to call a film which uses the use of a lodger from the very beginning but the audience may start to question a twist which may occur later on in the film, is “The Lodger” too basic or will their be a sweat gripping ending to the film? From the very beginning the viewers are who the lodger is and can clearly relate this to the title of the film, they immediately connect with Scott as he appears in the beginning sequence. The title itself is short and carries a thriller aspect to it even if someone was unaware of its genre.

When casting, actors had to suit and be involved with their role. Laura Manning was cast as Abigail because she carried an image that I recognised as Abigail and one that I knew the audience would also associate with Abigail’s character. Abigail carries a very similar personality to Laura, both bubbly and trustworthy people, this helped tremendously when filming and helping actors get into role. It also helped when developing Abigail’s character. Before casting other actors, as a group, the possibilities of who would suit the role of the other characters was discussed. Libby’s dad (Nathan Stannage) was confirmed to play Scott because his image carried that of a man in his thirties, Nathan was also then able to bring his own character to the role. Phoebe Wall-Palmer was also cast for the role of Lisa because again her personality fitted that of the character and her image was able to fit the concealed identity of who Lisa is. The first shooting session was mainly seen as a trial shoot too see if the actors fitted their roles. If changes to the cast needed to take place, new actors would be found as soon as possible.

The Lodger was filmed in a typical house therefore not many props where needed because the everyday essentials you would find in a house where already there. The weapon used to commit the murder was a knife. The knife is known as a ‘cook knife’ which Abigail uses to prepare her meal. Something the audience can also relate to having these kind of items in their own homes. This weapon also represents the rise in knife crime amongst teenagers in the UK, something that brings realism into the film, again making it more appealing to the target audience who are aware of such crime. However so that our film didn’t tackle any sensitive issues involving these events, the age of the killer was not that of a teenager but a grown man in his late thirties.

The significance of the plot was to entice the audience into getting gripped to the film. I wanted the audience to go away feeling that the film has had an effect on them and it was going to be one that they will remember and can relate too. Furthermore, the opening sequence was too produce a bold and striking start to the film, getting the audience addicted in the first two minutes of the film.

The opening titles are there to introduce the audience to not only the film but the producers and the production company. By putting these titles at the start the audience are intrigued to know more about the film, rather than after when they loose interest. The production company is called ‘LPL Productions’. The three letters stand for each of the group members, making it very personal to the group and what we have produced.

2. How does your media product represent particular social groups?

I feel that my media production represents a few social groups, in particular women, femme fatale, social class and the victim. Women are represented in a very powerful and yet victimised way. ‘Abigail’ is a very classy business woman, she has a lot of power over her life and her money and yet this almost gets taken from her when she loses her life, something she no longer has power over. The audience can clearly see that Abigail has a lot of power over her life as she lives alone in a detached house. Her costume also represents wealth and fortune in both past and present times. Another reason why she may be represented as powerful is the way she has managed to attract
the attention of the lodger without realising it, she doesn’t realise that the lodger has fallen in love with her. Her social class is represented by the way is which she prepares the dinner party, she pours expensive wine and prepares a liver based meal which we see her thoroughly cutting to perfection at the start of the film. We can compare her social class to his by looking at her living situation, she is living in a detached house and he can only afford to rent a summerhouse at the bottom of the garden. Abigail is however the victim of a murder with ‘Scott’ being the killer, he has more power over her now and finally gets revenge over her. ‘Abigail’ almost represents a different form of femme fatale. Although she covers a lot of aspects of a typical femme fatale such as her appearance, clothing and money and we can see this reflected in other famous femme fetales such as Anna Schmidt (The Third Man), Marion Crane (Psycho) and Jackie Brown, she is seen as more ‘victimised’ and innocent much like Thelma (Thelma and Louise), she doesn’t have a bad side. Like “The Third Man’s” “Anna” Abigail’s role in the film will become very concealed, creating more suspense for the audience.

3. What kind of media institution might distribute your media product and why?
The best way to advertise and exhibit our thriller is through a very well known website like YouTube. Millions of people would be able to access our two minute opening to a new thriller film for free. However a using a website for advertising could be difficult as you can’t guarantee that everyone has the internet to access YouTube. Using other websites for advertising is a very clever way of getting the clip out there. Websites such as YouTube, gaming sites and music sites have advertisements at the side of their pages or appearing at the bottom of other video clips. This is useful when grabbing the attention of a certain target audience, in this case, the age group 15-25. Social networking sites such as Facebook are being used by millions of people a day, by advertising your film directly via advertisements on the side of the page or creating fan groups for your film for people to join, you are guaranteeing that a very
large number of people are reaching your film advertising and are aware that your film is being shown. Other websites holding competitions are also important, one website that holds a Feature Film Competition is www.filmaka.com. Each year the websites holds the competition
asking members to submit a 3 minute film on a new film. Our thriller clip could apply for this because it holds the right amount of time and strongly supports a certain theme which is what the website are looking for. If our film clip didn’t get far in the competition, recognition for our film would be met. Using other forms of media can also be a big contribution when exhibiting a thriller. For our thriller, a game for Play Station 3 for example could be made which will introduce people to the film before it is released. iPods are also the hype of this generation and the target age range in which we want our film to aim at, therefore a good way of exhibiting our film clip through this would be buy creating applications for our film for example: a small game or updates on new film releases. Flyers are a useful way in which we could get our thriller noticed, placing it in places we know people will see it. Buses usually support
a film by displaying a film poster either on the side of their bus or the bus stop itself. This will guarantee that our film advertisement can reach a great deal of
people in a short time.

4. Who would be the audience for your media product?
Our target audience lies between the ages 15 and 25. The reason being, a lot of aspects appeal to that age group such as the age of the characters involved and the gender of the two main characters appealing to both genders of the viewers. The modern setting of the film also makes it easier for the audience to relate to, as well as gruesome and gory scenes to keep the audience
intrigued. This has been proved via my audience research. For example: from my questionnaire results show that, that age range prefer less suspicious characters (characters that unexpected to be dangerous or the main thrill behind the film), my media film clip was then adapted so that this aspect could be put into place, for example: the lodger being a person that Abigail (the victim of the murder committed by the lodger Scott) could trust. This audience may also watch other thrillers such as ‘Seven’ and ‘Casino Royale’, I feel that they will enjoy these thrillers because of the young characters used in the films such as Brad Pitt who’s ‘good looks’ appeal to the female audience and the ‘cool’ masculine image that he carried appealing to the male audience. The same reasons go to “Casino Royale’s” Vesper Lynd. Casino Royale is also full of action and fighting, scenes in which appeal to a teenage and young adult audience.

5. How did you attract/address your audience?
The audience was attracted by looking at audience research that was conducted which looked at the expectations of a target audience ages 15-25 and adapting the film around those results. It showed that our audience prefer characters that you would not expect to be behind the thrill of the film. Therefore it was decided that a character that was expected to be trusted and a nice person in the film was going to be casted in order to shock the audience when it came to them viewing the clip; it also helped us create an effective cliff hanger. The audience also preferred both loud and quiet music, in order to adapt this into the film the soundtrack started after about 30 seconds of the clip so that the audience could experience both quiet and loud sound. The music piece itself has quiet and loud, this creates suspension. By analysing my results from my audience research, i managed to identify what the target audience were looking for and used these answers to make the thriller more appealing to them. Another way in which the target audience could be attracted is via advertising. Different websites such as YouTube and Facebook could be used to exhibit the thriller.

6. What have you learnt about technologies from the process of constructing this product?
I have learnt a lot from filming the thriller opening with my group. One thing that has helped me extremely in the process of planning, making and developing my thriller and my media skills in general is my blog. It is situated on www.blogger.com and it allows me to upload my research into thriller films and my target audience as well as progression updates on my filming and the planning that has taken place before filming. The research into thriller films such as “Psycho”, “Thelma and Louise” and “Panic Room” has helped me develop
my understanding of the thriller genre and the different aspects it carries. When planning and filming my film I was able to relate back to this research for inspiration. The planning of the film helped me and the group to get organised and the blog was an easy way for me to access this planning. Some of the things which are included in the planning are, characters, equipment, story boards, shooting maps and roles of the group members. The blog also allows me to receive teacher and student comments which I use to help me in developing the film and our skills as a group. This technology also helps us back up the work we have done, so that if it is lost, we are able to retrieve it easily.

YouTube has also helped us as a group tremendously. When completing research into thriller films I personally found it helpful when looking up clips to back up my evidence. We were able to search for possible soundtrack ideas, easily browsing for free. After the completion of my preliminary task, I uploaded it onto YouTube. It was then easy for me and the other students and teachers in the school to access. It also allowed feedback from the general public allow us to develop our end product. YouTube also makes it easier to embed clips onto my blog to then receive further advice.

IMDB is a website that displays information about most films. It allows people to view reviews, user ratings, user comments and institutional information. When doing independent research into thriller films I was able to look on IMDB for information and reviews in order to find out if the film was successful or not. The reviews and user ratings and comments were also useful when I was doing research into the film industry itself, by looking at how successful the film was I was able to see how successful film companies such as Working Title are and how Universal influences the making of their films.

The equipment used was very easy to access and use. It made it easy to develop the film as immediate playback on the camcorder could be accessed and therefore changed to our film could be made. Other functions on the camcorder which became helpful was the small light which could be attached on if necessary, this was experimented with when working outside. Editing software helped make the raw footage a final professional piece. Transactions where placed in to make the film opening smoother to watch and titles and sound could also be added to introduce the film easier.

7. Looking at your preliminary task, what do you feel you have learnt in the progression from it to the full product?
From filming my prelim task I feel that I have learnt a lot. With the preliminary task, the only planning that took place was a group discussion and a storyboard. From this I have learnt that in order to keep to the filming schedule more planning would have to be done for example: the order in which the shots will be filmed. Learning about the 180 degree rule also helped in making sure that our thriller looked professional, for example: when looking from different peoples point of views, two characters in the scene should always have the same left/right relationship to each other. Towards the end of editing my film, our group was unsure whether I final product would meet the standard that we planned it to reach, however we where very happy once we had added our soundtrack to our final piece. The piece fitted very well with our film opening and completed the product. Furthermore, it added more thrill, suspense, fear and addiction to the film by starting when the killer Scott starts to emerge from his summerhouse, building up to the murder, and ending once the murder has taken place. Also by doing this, it helped support the narrative structure, making it easier for the audience to understand. This is important because if the start of a film is misunderstood and can be hard for the rest of the film to make sense to the viewer.

Each shot that we where to film was drawn on a storyboard along with the shot type, lighting and any other necessary information (eg: actors). A storyboard was remembered at each shooting session so we could refer to it when needed. When developing the mise-en-scene of each shot, we watched what we had recorded on the video camera and improved the mise-en-scene where we thought was necessary. For example: in the low angle shot where the murderer Scott is holding a blood stained knife, the lighting was too dull and we found that it was hard to see what he was holding and where he was, as a result of this we reshot the scene. In general, we shot a number of scenes in a variety of different shots, so when editing we could decide which one we thought was the most effective and worked well with the narrative structure. By developing the mise-en-scene, we developed our final product and our filming and editing skills as a group.

It was important that when planning our narrative structure that we made it understandable to the target audience. If this was not the case, the audience may loose interest in watching the rest of the film. We began planning a story line that involved a typical femme fatale approaching a shed at the bottom of the garden, after looking around and finding what she needed, the lady emerges and walks back up the garden path with a suitcase, a silhouette of a man appears at the window of the shed. It was decided that this plot didn’t carry enough thriller aspects and was very basic. Other adjustments where also made to the current plot. Before hand, Abigail’s boyfriend was going to come round for a romantic evening, however due to one shot consisting of dropping a bottle of wine being a health risk, it was decided that this was not appropriate. The plot of the film opening had to be easy to understand and set a tense and gripping beginning that would make the audience want to watch the rest of the film. By changing the plot in various ways across the planning of our production, the film has been able to develop and become of a higher standard.

When casting actors, I had to find one that would best suit the characters. Nathan Stannage was used because he was a similar age to Scott and therefore could no only relate to the character but also made the film in general more realistic. It was also important that we cast actors that where similar ages to the target audience (15-25), the reason being that the audience can then sympathise with the characters bringing them into the film. It was decided that one reason why the boyfriend wouldn’t be used was because of the actor’s age. Fraser Stannage is 14 years old and although the viewers didn’t see his face it wasn’t realistic enough for him to be playing an older character.

It was hard thinking of a title that would make my film eye catching. The title is always the first thing a person will read before watching a film and it gives a hint to the plot. There where various options that where going to be used for the title. ‘Happy Birthday’ was a play on words and held a lot of thrill and spook to it, however we felt that it may not give enough clue to the genre and wasn’t best suited for the plot because it was only the beginning sequence that held the birthday aspect. It was decided that we would use ‘The Lodger’ because it made it obvious who the lead character was, therefore the audience could quickly connect with Scott.

When planning the plot, the narrative structure for the whole film had to be able to fit in with the opening sequence. Therefore an over complicated plot was hard to organise. Pitfalls in the planning mainly occurred when trying to develop the boyfriend’s role and why he was coming to Abigail’s house and why Abigail would trust such an evil person.

Finding an appropriate soundtrack that was not copyrighted was hard because as a group, we where very unaware of pre-1950’s music. Sites such as freesound.org and cmixter.org where used to find un-signed pieces of music that would best suit the opening. It was hard to find something that fitted well with the narrative plot and changed temp and volume etc when the plot was intensifying.

When editing “The Lodger”, Adobe Premier was used. This allowed transactions and cuts to be made to the film, the development of the film progressed massively when I learnt how to use the program properly. When re-shooting some bits I was able to see what could be done when editing the film to make a particular shot look better which could not have been done before hand.

Year 13s from the same school watched “The Lodger” and gave their opinion on what they thought should be done to get a better grade. This feedback was taken into consideration and a few adjustments was made to the film, for example: some feedback suggested that some diegetic sound should be faded in, therefore the sound of the shower can be heard turning on and constantly running at the end of the opening sequence. This feedback was very important because it came from the target audience and therefore we could see what it was that the audience where looking for.

Like the experience I had had with the preliminary task I was able to develop a plot around the strict brief. However, some difficulties where discovered when including thriller aspects and they relate very closely with that of the horror genre. However, audience research helped set out what I was going to find out and what aspects of the thriller audience best appealed to them. It was also hard to work within a specific time frame; there was a lot of pressure to finish the product on time to a specific standard. However, various deadlines where set to help us as a group meet the different stages of the production, and as time progressed it was learnt how long certain things took to plan, develop and put into practice. On a whole, I feel that the group developed tremendously when working on all aspects of the film production.

Title Ideas

2010-03-16T06:43:00.000-07:00

We are at this very moment undecided on what to name our thriller.

'The Lodger' was our first initial idea. The title is very basic and leaves a lot of loose ends for the viewer to find whilst watching the film. It creates curiosity to how Scott is going to be represented in this film, he is after all the lodger. Is he going to be interpreted as the good guy who's feelings get unintentionally hurt or is he going to be seen as the bad guy who murder's innocent Abigail? The title also sets the scene for what the film is about, the audience get some clue to the importance of the lodger.

Our second idea was 'Happy Birthday'. We felt this was a good idea because its almost a play on words. A happy message that in this case turns nasty. In a thriller sense we found it more chilling than 'The Lodger'.

However we are yet to decide which one we think is more suited.

Soundtrack ideas

2010-03-16T06:24:00.000-07:00

Our thriller soundtrack has to be a pre-1950 recording.

We have decided if possible to use a pre-1950 recording of 'The Rite of Spring'.

It has been difficult to get hold of this piece, we are however doing the best we can to get it.

The piece was composed by the Russian composer Igor Stravinsky. Stravinsky composed this piece of music for a ballet of the same name. The ballet was premiered on the 29 May 1913 and is set in Russia. Stravinsky's attitude has been described as patronizing, "...Stravinsky thinks he is the only one who knows anything about music." his personality is reflected through his music and could also be seen as reflected through our character 'Scott' who almost thinks he is the only ever to be effected by love, he thinks he is the only other person in Abigail's life.

We feel that this piece works very well with our thriller and its adventurous rhythms and harmony's go well with 'Scott's' dangerous personality. The Violins almost represent Abigail's screaming as she is getting murdered. The violins also help build the tension and suspense of the thriller.

Progression update

2010-03-16T03:29:00.000-07:00

So far, we have had a few troubles with our filming but we have done our best to overcome this.

At first the camera had a few faults, we found that the tape wouldn't go down once put into place. We found a way to deal with this by looking up a solution on the internet.

Time has also been abit of a problem. As the three of us live very far apart it was hard to arrange a time that was convieniant for all three of us and well as arranging appropriate transport.

We also found it hard to find a male to play the boyfriend that could be there at the times we were filming. Although we shot a few scenes with Fraser Stannage, these shots had to be re-filmed with a new idea put into place. Instead of Abigail's boyfriend coming to see her, Abigail's best friend now comes for Abigail's birthday meal. This would also make it easier when changing the idea of smashing a wine bottle to dropping some flowers. Our reasons behind changing this idea were mainly due to health and safety. We felt that the glass would shatter to much and may cause an injury to either the actor dropping it or the person filming. This also helps when filming because we can drop the flowers as many times as we have to, unlike the wine bottle which would have had to be filmed in one take.

Another problem that we had to face was with editing. A format error came up when we were trying to capture our tape. We found a way around this by capturing it in a slightly different way.

Although we have found it a challenge to overcome these problems and changing a lot of our ideas we feel it will benefit us a lot when it comes to the final product.

Audience Profile

2010-03-12T13:30:00.000-08:00

My target audience is both genders, aged 15-25 and mainstream. I could shape my thriller around my target audience by using characters around the same age. The audience would then feel that they can relate to the characters therefore giving a better sense of realism to the film. Another way in which i could shape my thriller around my audience is by shooting it in modern and familiar places to them such as schools, typical housing and parks. By using close up shots that cut fairly fast, the audience keep involved and intrigued. A lot of teenagers and young adults find gory and gruesome scenes entertaining. For this reason i could use a brutal murder in my thriller to add to the thrill of the film.

To develop my thriller around my target audience i am going to shoot the film is a very stereotypical house so that they are familiar with the location and can therefore relate better to the film. I will also use characters aged around 25 so that the audience feel more realism. The costumes will also be very modern and stylish.

The pace of the film will be fairly quick so that the audience stay engrossed. The editing will be done so that the cut between shots stay interesting. The cinematography used will also include a lot of close ups, this is also used so that the audience feel that they can relate to the character and so that they can see the emotion of the character well.

Audience research: discussion of findings

2010-03-12T12:02:00.000-08:00

I handed out my questionnaire to 20 people with a variety of different ages.

From my results i can tell that my target audience generally prefer mainstream thriller to independent. Therefore we have included mainstream thriller aspects in our thriller opening, for instance the gripping, almost exaggerated plot.

Most people also prefer less stereotypical characters. I think my audience chose this answer because less stereotypical characters almost shock the audience. They create more suspense and curiosity. Therefore our murderer character is someone that perhaps the audience wouldn't suspect as being the murderer. Someone that the victim of the murder trusts.

Most of our audience chose to have both loud and quiet music. I think the reason behind this is that if the temper and volume changes it creates more thrill and draws the audience into the thriller. Therefore we have chosen a music piece that we hope will grip the audience. We have also chosen to have just diegetic sound at some points in our thriller, this is so that it creates suspense and puts the viewers on edge. It also meets the expectations of the rest of the audience.

I had a variety of different answers when asking about sub-genres. Most people chose horror. I think the reason being that the two genres tie in together a lot and are generally very similar. Our thriller includes a few horror aspects such as the gruesome murder and the overall 'creepiness' of the killer. Other sub-genres that were also popular include crime and drama. Therefore we when developing our plot we made it quite dramatic, including a crime that will meet the expectations of the audience that chose those sub-genres.

Overall the audience expectations include:

- A interesting, gripping plot that will draw the audience in to the film.

- A gripping character that will involve the audience.

- Music that will create a suspense across the audience, adding to the thrill of the plot.

- Horror aspects, as well as a few aspects from crime and drama thrillers. This is to interest the audience and make the plot more exciting.

Questionnaire results

2010-03-11T16:28:00.000-08:00

Thriller questionnaire

2010-03-11T07:39:00.001-08:00

What gender are you?

Male

Female

What age range do you fit into?

10-14 15-19 19-24 25-30 31-40 41-50 50+

Do you prefer Independent or Mainstream thrillers?
Independent
Mainstream

Do you prefer stereotypical or less suspicious characters in thrillers?

Stereotypical

Less suspicious

What kind of soundtrack do you prefer?

Quiet music

Loud music

Both

No music at all (just diegetic sound)

What location spots most appeal to you?
Grave yards
Alleyways
Small/claustrophobic spaces
Mansions
Big cities
Deserted areas

What sub-genres most appeal to you?

Action

Crime

Drama

Science fiction

Horror

Other __________________

Thriller Proposal

2010-03-11T06:42:00.000-08:00

As part of my thriller planning I will do some audience research. Through this I hope to gather information about what my audience expect from a thriller opening. This will then help me to plan my thriller effectively around its audience.

Through my research I am to find out the following:

- Expectations of mainstream vs. independent

- What characters appeal most to the audience

- What kind of soundtrack most appeals to the audience

- What location spots most appeal to the audience

- What subgenres most appeal to the audience

This research will be carried out by questionnaire. I will aim to use a group size of 20 people aged around 15-25 year olds. I chose this group size because I feel that 20 people will get me qualitative reliable data. I also feel that this age group will get me the research I need as they may know more about today’s modern thrillers.

I expect to find out that independent films tend to show a better picture of today’s society and that they tend not to exaggerate issues placed in today’s society. Money may be one reason why they do not tend to exaggerate these events. They do not have the money to use special effects, sound and music etc.

Shooting maps

2010-02-01T03:21:00.000-08:00

Shot one This shot shows a close up of Abigail (played by Laura) cutting up meat on the counter. The camera is placed opposite the meat (not shown) also on the counter. Phoebe is filming and Libby is holding a lamp next to the counter, although she is very near the camera, she cannot be seen in the shot.

Shot two This shot shows Scott (played by Nathan) emerging from the summerhouse and walking down the garden towards to back door. It is shot through the french doors. A close up of a wine glass filling up, poured by Abigail can also be seen in the same shot. Abigail does not notice Scott walking towards the house.

Femme Fatale

2010-01-31T12:28:00.000-08:00

Our character 'Abigail' played by Laura holds a lot of femme fatale aspects.

"...is an alluring and seductive woman whose charms ensnare her lovers in bonds of irresistible desire..."

She is a very alluring and seductive women, her business career track brings this role to her character. Our thriller is very much wrapped in a love triangle, with a bond between Abigail and her boyfriend and a bond between Scott and Abigail. Her charm has two men falling deeply in love with her.

"...Her ability to entrance and hypnotize her male victim..."

Abigail almost hypnotizes Scott with her love. He is the victim of the love triangle, he is the individual who doesn't gain anything from the relationship. She entrances him to fall deeply in love with her. She can do all of this without anybody else realizing who even herself for that matter.

"...She may also be (or imply to be) a victim, caught in a situation from which she cannot escape..."

Abigail has found herself in a situation in which she doesn't know even exists, therefore she cannot escape. She is caught by Scott then murdered, the triangle turns around and she is now pronounced his victim.

"...She usually drives him to the point of obsession and exhaustion so that he is incapable of making rational decisions..."

Scott has gotten to the point where his anger takes over. Abigail still doesn't pay attention to his love desire for her and he is incapable of controlling his emotions. He is obsessed with her and exhausted with the twisted love affair he finds himself positioned in.

Another aspect that Abigail holds is mystery. She is a young business women with a desirable lifestyle, how did her life become so complete so soon? What business does she undertake? Her life is very much a mystery to the viewers who do not have a passage to her past.

(Quotes taken from http://en.wikipedia.org/wiki/Femme_fatale)

Inspiration

2010-01-31T09:13:00.000-08:00

Our main inspiration behind our thriller film was Psycho.

Our femme fatale 'Abigail' played by Laura was very much based on the character 'Marion Crane' from Psycho. Like Marion, Abigail is a very classy, stylish lady. Furthermore like Marion, Abigail will not be portrayed as an over glamorous character that wouldn't look right in society, she will be portrayed as a normal moral human being. This makes her character more believable and therefore adds a sense of normality to the film, creating suspense.

Psycho also brought with it, the famous 'shower scene'. This transformed the 'cleanliness' vision that most viewers associated with a shower. We wanted our thriller to have that kind of impact on the audience so we decided to use a shower as the location for the murder in our thriller.

There is also an association with money and our femme fatale Abigail. It isn't a huge aspect of our thriller but she owns more money than 'Scott' and we can see this by there choice of housing. Maybe this is one of the reasons why Abigail doesn't really show much interest in Scott.

Abigail is however more innocent than Marion. As we see in Psycho Marion does not hesitate to steal the money as she has an affair with a married man. We feel that Abigail is portrayed through our thriller as a more down to earth girl, showing more innocence.

Progress on filming

2010-01-25T02:32:00.000-08:00

So far we have shot alot and i am very pleased with our progess. We only have a few more shots to complete and we shall hopefully be done filming after another session. We have a range of shots and have really progressed with our shooting skills when experimenting with them. The variety of shots we have used so far are, tilt shots, close up, extreme close up and over the shoulder and low angle.

Shots filmed so far:
- A close up of Abigail's hands while she cuts up the meat for the meal.
- A close up of Abigail's face to show the audience a clear view of Abigail.
- A mid shot through the french doors, showing a close up of the wine being poured on the table and a long shot of Scott walking towards the house from the summer house.
- Tracking shot of Abigail's body going up the stairs.
- Tracking shot of Scott's hands as he goes up the stairs.
- A close up of Abigail taking her shoes off and her clothes being thrown on the floor.
- A mid shot of Scott's feet walking towards the bathroom on the landing.
- Close up of Scott's hand beginning to open the bathroom door.

My contribution:
I have provided the location, props and asked my dad to be one of the characters. I have also filmed a few shots. I have done alot of directing, contributed my ideas and controlled the lighting of each shot. I also took photos of the location.

Phoebe has done an excelent job with shooting most of the shots and considering the perfect lighting for those shots. She has also taken care of the camera equipment and made sure we are fully equiped for each of our sessions.

Laura has played one of our main characters very well and has also contributed her ideas where she believes necessary. She has also filmed a few shots and provided her own costume.

So far all members of our group have been to all shooting sessions and arrived on time fully equipped. We have all equally contributed and i am very pleased at how well we all work together.

Location

2010-01-21T05:42:00.000-08:00

Location

We decided to use my (Libby's) house because the summer house is the main idea behind our production. We felt that the main house and the summer house represented well Scott and Abigail's importance and social status in the film. From the two different house's the audience can identify that because Scott is living in the summer house his worth and social status is a lot lower than that of Abigail who lives in the bigger main house. We also feel that my house will be good to use because of the antique decor and build it has. It is also very conveniant for our group because we can all easily access it, this will therefore give us more time for filming.

This is the summer house, it is positioned at the end of the garden. It is the main idea behind our thriller 'The Lodger'. The lodger 'Scott' is living in the summer house and has fallen in love with 'Abigail' who lives in the main house.

This is the kitchen. This is where Abigail prepares the meal for her and her boyfriend, which will be laid out of the table.

This is a close shot of a small counter within the kitchen. This is where Abigail prepares her meat for the meal, leaving the knife on the chopping board.

This is the meal Abigail prepares for her and her boyfriend. Scott can see her preparing it through the french doors pictured.

This is the stair way. Abigail will proceed up the stairs to the bathroom where she begins to take a shower. Not long after, Scott follows with the knife in his hand.

This is the stairway from a different angle. Taken from the top of the stairs.

This is the bathroom. This is where Abigail takes a shower before being murdered.

This is the shower in which Abigail gets murdered.

Costumes and Props

2010-01-14T07:19:00.000-08:00

The costumes are as follows:
Abigail - White shirt, black skirt, black tights, black high heels. We decided to use these clothes etc because we feel it is a good representation of a femme fetale. However the white shirt indicates to the audience her purity and how she doesn't realise what effect she has had on her lodger.

Scott - Long black coat, black trousers, black boots. We chose this costume because we feel that the dark choice of colours represent how he is feeling.

The boyfriend - You do not see much of the boyfriends costume but simple clothing will be used.

We do not have many significant props in our thriller. A knife will be used by Abigail when she is cutting the meat. The knife will be fairly big so that the audience can identify what genre the film holds. The meat we are using will be easy to cut and will be oozing with blood, the audience may then question the blood and the events that are about to occur. Large scissors will be used by Scott who will cut up pictures of Abigail. We are using this prop because we believe it resembles Scott's heart being cut up when he falls inlove with Abigail.

Health and Safety measures:
We are aware that we are using a large sharp knife and precaution will be put in place when using it. When the bottle of wine is dropped, we are being very careful as to wear we are standing and the glass and liquid is going to be cleaned up immediately.

This image only gives an idea to what our femme fatale character will be wearing. ----------->

Roles and Plot

2009-12-06T04:15:00.000-08:00

Roles and characters
Laura - Femme fetale 'Abigail'
Nathan Stannage - The lodger 'Scott'
(Undecided) - Boyfriend 'Jason'
Libby and Phoebe - Mainly filming
Libby's cat will appear in the scene in which 'Scott' enters the house and picks up the knife.

Other roles
Libby - taking pictures of the location

Brief plot
A lodger 'Scott' is living in a lodger house at the bottom of the garden and 'Abigail' a classy business lady lives in the house. What she is unaware of is that the lodger 'Scott' is in love with her and his jelously is soon to be taking over. One evening while she prepares a romantic dinner for her boyfriend, Scott plots his revenge. While she goes upstairs to take a shower Scott comes through the back door with a knife, he then makes his way up the stairs. Meanwhile Abigail's boyfriend is turning up for the dinner. Scott makes his way into the bathroom and we are unaware of what happens next, the opening ends with the boyfriend knocking continuously on the door aware that something is wrong.

Preliminary task

2009-12-05T05:43:00.000-08:00

Original ideas

2009-12-05T03:22:00.000-08:00

Previous to our current thriller plot we had another idea. The film would be shot at Libby's mothers house and would also use a femme fatale as the main character.

Although we hadn't yet thought of a solid plot, a rough guide would be that the main lady (a femme fatale figure) would be seen walking down the garden path towards a small wooden shed placed at the bottom of the garden. She would be dressed in smart sophisticated clothes to express the importance of her character. She would then enter the small shed, a few shots of her looking for something inside it would be shown. She would then emerge holding a brief case, as she begins to walk back up the garden path, a silhouette of a male figure would be seen in the window of the shed. This suggests someone was hiding inside the shed although the main character was unaware he was in there.

We decided that this wasn't suitable for our thriller as it contains too many horror aspects for example, the idea that a male figure was hiding inside the shed. We also felt that the ending would be left very open and the audience would be very confused as to what has just happened.

However we developed some of the ideas from this. We continued to use a femme fatale figure, and the idea of the thriller being set at her house. We also continued to use the idea of a dominant male figure that could potentially be a murderer.

Preliminary task preparation

2009-12-04T04:07:00.000-08:00

180 Degree Rule

Two characters in the same scene should always have the same left/right relationship to each other. If the camera passes over the imaginary axis connecting the two subjects it is called 'Crossing the line'. The new shot from the opposite side is known as the 'reverse angle'.

In film making this rule is very important and will always be taken into consideration. However film makers sometimes cross the line intentionally to create disorientation. The axis can sometimes determine how emotional a scene can be, the close the camera becomes to the axia the more emotionally intreged the audience will become.

Psycho notes

2009-12-04T03:58:00.000-08:00

Psycho (1960)

Psycho opens with an establishing shot of a city which is then discovered with an exact date and time.

The camera pans across sky scrapers filling the sky, it then settles at random on some windows on a high story hotel building, this random selection of the building and windows creates some normality for the audience, it also introduces them to the idea that it could be any one of their lives at a point of focus. The camera pauses before it begins to enter a window again at random, as though it is hesitant as whether to enter. It goes through the window, taking the audience in and engaging them.

Now that the audience is in the room, they are introduced the femme fatale Marion and her lover Sam. Various shots of Marion's reflection can be seen in different mirrors, this creates voyeuristic shots. It introduces the audience to Marion's cheeky personality. She is wearing a white costume which suggests maybe she is innocent and pure. Her underwear then later changes to black when she is on the bed (a feature of impurity) with the money and her suitcase being packed which is a clue to the theme of the film. The colour change of underwear suggests a change of morality and the idea that she is a good girl gone bad.

Marion's get away with the money consists of an un-glamourous mise-en-scene of wet roads and lights. The lights could represent Marion reflecting back on what she has done.

Perfume Advert

2009-11-11T02:57:00.000-08:00

Analysis

The genre is clear because of the colour contrast. The white dress represents purity and cleanliness. The black writing makes a bold statement against the pail background making it eye catching for the audience. The alliteration found with the name ‘Freedom’ and the tag line ‘Free yourself’ ties the advert together making everything relevant.

The setting ‘the beach’ represents a British signifier, such as the sea side. This is associated with a typical British holiday by the sea. Furthermore, when we think of freedom, we associate it with a calm and relaxing place such as the beach. The photograph in itself adds freedom to the advert because it wasn’t shot in a studio with artificial props.

The unique selling point for the advert is the model. She looks happy and confident with herself. This is portrayed through her facial expressions and the position in which she is standing. It shows she isn’t scared to show how she feels. She is holding her arms open as if to say that she is ready for anything, that she is enjoying her life. The light fabric and neutral colour of her clothing makes her look natural and comfortable. The fact that she isn’t covered in un-natural accessories such as fake tan and tight clothing adds to her natural look, something that you can have with this product. Also, she isn’t being sexually provocative and hasn’t been objectified for example, in her clothes. They are sophisticated and cover most of her body; they are also white which suggests innocence unlike the colour red which suggests sexiness. This shows that women can be independent and strong without a man.

The target audience for my perfume advert is ages 16-30. This is because this is a very sophisticated perfume, something that a lot of 16 years olds desire to feel. However the perfume may not appeal to anybody over 30 because of the way the perfume is displayed, for example: the models age. It would have been difficult for the perfume to appeal to a wider age range because they tend to have different ideas of a perfect perfume.

Three ideologies I would associate with my advert are, if you buy this product you will look natural, if you buy this product you will feel liberated, if you buy this product you will get a sense of independency. These ideologies are important in order for the person to feel that they want this product and will gain a lot out of it. I wanted people to feel that this perfume will give off positive effects.

The main demographic being targeted for my advert is independent women who are possibly career driven, needing this ‘freedom’. There is only one woman modelling this perfume in the advert to represent this independence of the perfume. The demographic will be met when making the perfume by making something different, creating a different bottle and scent to show individualism and independence.

This advert must be applied to Maslow’s Hierarchy of Needs in order for the advert to meet the needs of the audience. Firstly the advert can be applied to Physiological needs, with women needing that sense of freedom to think and relax. Furthermore it can be applied to the Esteem section of the hierarchy. This perfume will help women build up their self-esteem helping them to feel confident about themselves. It will help them relate to strong, independent and yet elegant women.

The perfume is very aspirational because it drives women to become independent and confident, full filling their dreams and creating more self-determination. On the other hand, it can also aspire career driven women to be like the model representing the perfume, free, relaxed, natural and happy.

The connotations of my advert are tranquillity, relaxation, natural, calm, power, independence, elegance, openness and soothing. The denotations of my advert are freedom, sunny, brightness, breezy and cool.

Jackie Brown notes

2009-11-06T05:34:00.000-08:00

Jackie Brown
(1997)

Director - Quentin Tarantino

Release date – 20th March 1988 (UK)

Genre – Crime, Thriller

Production Companies –
Miramax Films
A Band Apart
Lawrence Bender Productions

While the opening credits we see a low angle tracking shot of Jackie Brown. This gives the audience the indication that she is Jackie Brown, a main character. The expression on her face and the way she struts makes Jackie look powerful and strong. Next, L.A is represented very negatively, for example with the mise-en-scene we see an un-galmourous and industrialised side of L.A. When we see Beaumont and Ordell walking we can straight away see that Beaumont is very vulnerable because of the way he is walking behind Ordell, Ordell definetely has power over Beaumont.

The setting gives the audience a clue to what kind of film Jackie Brown is. The use of the boot, noir lighting and props such as the guns are big signifier’s of the thriller genre. Deserted wet streets, isolated urban area add to this.

The music stops as Ordell murders Beaumont, the music then starts again. Here the music works with his actions, showing the audience how he is feeling, Ordell seems very chilled out about the murder and doesn’t seem to care, he is very detached from what has happend showing no emotion. The setting in which Beaumont is murdered is very industrialised and a derelict space, this is too add chills amongst the audience and give them a clue to what kind of a place the film is set in.

Once Upon a Time in America notes

2009-11-06T04:04:00.000-08:00

Once Upon a Time in America
(1984)

Director – Sergio Leone

Release date – 1st June 1984 (USA)

Genre – Crime, Drama, Thriller

Production companies (some) –
Warner Bros. Pictures
Embassy International Pictures

While the starting credits are rolling there is a sound bridge of ‘God Bless America’, the purpose of this is to establish that the film is set in the USA and to possible establish an ironic tone. The Film ‘The Deer Hunter’ (1970) used this soundtrack to criticise the USA’s involvement in the Vietnam (also staring DeNiro), therefore Leone is possibly using this soundtrack to make a critical statement about the USA in ‘Once Upon a Time in America’, the film focuses on gangsters and police corruption. Footsteps and the soundtrack are examples of non-diegetic sound. The footsteps add tension and the sound of the door opening increases the suspense.
The first image that appears is a silhouette in a doorway. The noir lighting and the high angle close up of eve (the pearls) suggests she is a femme fatale.

Essex Boys notes

2009-11-06T03:43:00.000-08:00

Essex Boys

(2000)

Director – Terry Winsor

Release Date - 14th July 2000 (UK)

Genre – Crime, Thriller

Production Company - Granada Film Productions

The opening music to the film is very dramatic and scary. This already shows what kind film it is adding suspense to the opening. All we can hear is a scratching noise, we do not know what this is, it increases the tension. This non-diagetic sound of scratching suggets that the film is full of thrills. The use of the black screen is a nior feature and a clue to the genre.
The establishing shot of the driver in the garage is lit my chiaroscuro lighting which suggests not only the genre but communicates someone is in the garage. Diagetic sounds such as the footsteps suggest the garage is a claustrophobic space which is a key feature of the thriller genre. The setting is full of cobwebs this adds a spooky 'halloween' feel to the place and adds to the gothic look. In the garage the boys breath is visible, this adds chill to the scene and gives the audience an idea of how cold it is.
The voice over which can be heard next is of an Essex accent, along with the title this gives a clue to the viewer to where about the film is going to be set. The voice is very soft which suggests the innocence of the Billy Reynolds; it also engages the audience with the film because he is addressing the viewers. The first shot of Jason through the car window gives the audience a clue to what Jason is like, there is a voice over, slightly explaining Jason. He is corrupt, dirty and stands in a position which suggests he isn’t an innocent character.
The deserted roads, walls up either side and the rain gives the audience an idea of what Essex is like, industrialised and unattractive. The place reflects the genre here. The long deserted tunnel in which Jason and Billy drive down is almost like a barrel of a gun; this is an aspect of the thriller genre and maybe gives us a clue to what may be involved in the film.
The light reflecting on the car suggests jail bars, as though Billy is captured and blinded. The bars could also represent a piano, as though Billy is getting played by Jason. Behind the light reflecting bars on the car we can see a close up of Billy's face, this is very important in films, it gives the audience the chance to try and read Billy's character. The white van is also another aspect of the thriller genre, along with the bars it is as though Billy is going into Jason’s world. The ‘Welcome to Essex’ sign is an ironic shot, we are entering Jason’s place and stepping into the thriller.
The point of view shot of Jason beating up another man which can be seen through the car window screen is a point of view shot because it is as though we are Billy, we are stepping into Billy’s shoes. This gives the audience a clue to Billy’s character and gets them involved in the film. The final shot of the van on the marshes is a cultural signifier, it suggests their whereabouts. The mise-en-scene focuses on aspects of the place, social class and gender.

The Third Man notes

2009-11-05T01:09:00.000-08:00

The Third Man

(1949)

Director - Carol Reed
Release date - 3 September 1949
Genre - Thriller, Mystery
Production companies - London Film Productions, British Lion Film Corporation.

The film starts with the music and the voice over begins, this brings in and engages the audience.

Next, a high angle shot of some goods in a case can be seen being sold in the black market. The case is a very important signifier of the thriller genre. You immediatly go from the history of Vienna, showing various statues to what is going on now. You then see a close up of hands and arms with loads of watches placed on them, they don't have to show alot for the audience to know what is going on. A shot of a body in the river shows the audience that Vienna is a dangerous place, they only have to show five or six shots to confirm this to the audience. The city is divided into four nationalities so not everybody understands each other, this suggests fragmentaton.

We see a shot of the character walking under a ladder, this suggests that the film is filled with bad luck and thrills. The use of shadow and non-ambiant lighting creates a spooky atmosphere, it is asthough Holly is being watched or followed. Next, when Holly meets the German caretaker, Holly is seen at a slightly tilted high angle shot, it makes him (Holly) look insignificant because he is a stranger to the guy and he does not speak the caretaker's language, also at this point his shadow is bigger than him which also adds to his insignificance. They did not add subtitles to the film, this is so the audience gets a feel of how Holly is feeling, like a foreigner.

A close up of two guys dressed in 'camp' fashion suggests devious impression. When Anna is introduced, she carries a very blank face, the audience cannot read what she is thinking. The tilted shot of Holly having a drink with another man adds interest for the viewer, it also suggets disorientation, like he doesn't fit in in Vienna, also this could signify the effect the drink is having on him. Another tilted shot which shows Holly in the door way signifys that Anna isn't quite right, there is suspision. In the film Anna smokes alot because in 40's films this was considered glamourous and sifisticated, these factors add to her unreadable character.

The shot of the alley shows silouttes, noir lighting and wet streets these all add to the thriller genre. The slightly low angle shot of everybody in the room is almost like a point of view shot from the little boy and how he is witnessing what is going on. This also tells the audience that the little boy is taking everything on board, may play an important part in the film and isn't all that 'cute'.

The continuous use of close ups is very important in the film, it is so that the audience can try and work out exactly what everyone is thinking, who is bad or is good. The long angle shot of Anna standing in the street shows the bottom half of her body in shadow, this could suggest that she has an alter ego, she has a good and a bad side? She is standing at the side of the shot to add interest. The long angle shot of just Anna's face suggests that she feels superior to everyone else and she knows what is going on.

When the child is running, down the alleyway we see his shadow before we see him, his shadow is alot bigger than him, could this mean he is also superior, bigger than everyone else, or perhaps evil?

We see a cat in the doorway, this could symbolise Harry Lime, playfull but unpredictable. The feet which we can then see either side of the cat, adds tension to the audience because they do not know yet who the feet belong to. When we next see Harry Lime for the first time, he is hiding in the shadows almost like he represents Holly's shadow. The lighting focuses just on his face like he is something out of a dream. The music complements what he is doing, it enables us to understand what he is smiling about. The chiaroscuro lighting in the arch where Harry is heading to symbolising freedom, 'the light at the the end of the tunnel' its like he has been following Holly. The sewers show a chlostrophobic space, this is a big thriller signifier, it adds tension and spookyness to the clip. When Harry puts his hands through the grate, its almost like he is trying to get free from jail, he's trapped and he is trying to get free. Almost like a rat coming up from the sewers.

Thelma and Louise

2009-10-25T12:04:00.000-07:00

Thelma and Louise
(1991)

Director – Ridley Scott

Writer – Callie Khouri

Released – 12^th July 1991 (UK)

Plot - An Arkansas waitress and a housewife shoot a rapist and take off in a '66 Thunderbird (Imbd)

Cast –

Louise – Susan Sarandon

Thelma – Geena DavisHal – Harvey Keitel

Jimmy – Michael Madsen

Production Companies -

Metro-Goldwyn-Mayer (MGM)

Pathé Entertainment

Percy Main

Star Partners III Ltd

Distributors (some) –

Metro-Goldwyn-Mayer (MGM) (1991) (

USA

) (theatrical)

National Broadcasting Company (NBC) (1994) (

USA

) (TV) (broadcast premiere)

20th Century Fox Home Entertainment (2007) (USA) (DVD)

MGM Home Entertainment (2004) (worldwide) (DVD)

Warner Home Video (laserdisc)

Other companies (some) –

Dolby Laboratories - sound post-production

Gala Catering - catering

Kodak - film stock

Lillie Yard Studios - music recorded

Pacific Title - titles and opticals

The Casting Group - extras casting

Notes from class

The country and western music opens up the film and gives an idea of where about the film is set and when.

When we first see the characters, Louise is dressed as a smart worker and Thelma is a stay at home wife who is dressed in casual scatty clothes, we automatically get an idea of their wealth and lifestyle. Abit later we see Thelma dressed in quite feminine clothes and Louise dressed in masculine clothes. This suggests that Thelma is quite vulnerable and Louise is a strong character and can take care of herself. Thelma’s husband is dressed so that we get an idea of his character, he is wearing a lot of fake jewellery to make himself feel rich and important. He is a very controlling character and pushes Thelma around a lot.

There is a straight cut from the bar to car park. The dull car park is a genetic convention of a thriller. There is use of noir lighting when the man turns around in the car park, this gives a spooky feel to the character.
Ridley Scott is representing the mid-western males as misogynists. For example, Daryl and Harlem, they believe it is the women’s role to gratify them.

After the shooting we see Thelma and Louise skidding onto the road in their car, the light breaking up suggests the breaking up of their lives. The dull wet, foggy road could indicate their lives, the cars start to close in on them like their lives. The big truck is dominant to their little car, just like the males are to the females, they are driving to escape this.
The mis-en-scene of the road (the car stopping) is like a nightmare, which can easily describe the thriller genre.

2009-10-22T03:45:00.000-07:00

This Is England

(2006)

Plot

A story about a troubled boy growing up in England, set in 1983. He comes across a few skinheads on his way home from school, after a fight. They become his new best friends even like family. Based on experiences of director Shane Meadows. (IMBd)

Cast

Thomas Turgoose - Shaun

Stephen Graham - Combo

Jo Hartley - Cynth

Andrew Shim - Milky

Vicky McClure - Lol

Awards

- BAFTA Film Award- Best British Film

- British Independent Film Award

- Young Audience Award

- UK Film Talent Award

- Best Director Award

Production Companies (some)

Big Arty Productions

EM Media

Film4

UK Film Council

Warp Films

Distributors (some)

IFC films (2007) (USA) (theatrical)

Optimum Releasing (2006) (UK) (theatrical)

A-Film Home Entertainment (2008) (Netherlands) (DVD)

NetFlix (2007) (USA) (DVD)

Red Envelope Entertainment (2007) (USA) (DVD)

Other companies (some)

Abadia Catering (catering)

Anglo American Filming Vehicles (tracking vehicles)

Arn Lighting (lighting equipment)

Barclays Bank PLC (banking services)

Chitwell Van Hire (vehicle hire)

Other facts

- Shane Meadows directed the film

- Running time - 101 min

- Genre - Drama

- UK Cinema Certificate - 18

- Release date - 27 April 2007

- Special effects - MotionFX

- The film was filmed in Cleethorpes, Lincolnshire, England, UK.

- User rating - 7.9/10 (IMBd)

- Film negative format (mm/video inches) - 16 mm (Kodak)

- Cinematographic process - Digital Intermediate (master format), Super 16 (Source format)

- Printed film format - 35 mm (blow-up)

- Aspect ratio - 1.85 : 1

2009-10-22T01:44:00.000-07:00

London to Brighton

(2006)

Plot
The picture opens with two women on the lam: middle-aged hooker Kelly whose battered face discloses a recent thrashing, and the preteen Joanne. While the two board a train bound from London to Brighton in the middle of the night, the vile thug Stuart Allen orders Kelly's pimp, Derek, to deliver the two women within 24 hours. (fandango.com)

Cast
Lorraine Stanley – Kelly
Georgia Groome – Joanne
Johnny Harris – Derek
Nathan Constance – Chum
Sam Spruell – Stuart Allen
Alexander Morton – Duncan Allen

Awards
- Carl Foreman Award for the Most Promising Newcomer
- British Independent Film Award
- Douglas Hickox Award
- Raindance Award
- Golden Hitchcock
- New Director's Award
- Evening Standard British Film Award
- Festival Prize
- ALFS Award
- Jury Prize

Production Companies (some)
Still Mill Pictures
Wellington Films
LTB Films Limited
UK Film Council

Distributors (some)
Outsider Pictures
Vertigo Films
E1 Entertainment
Momentum Pictures Home Entertainment

Other Companies
CNSO Studios (recording studio)
Drew & Co. (legal services)
Fatts (post-production script services)
Molinare Studio (post-production)
Panavision UK (camera equipment provided by)
VooDooDog (trailer)
Zound (sound post-production)

Other facts

- Paul Andrew Williams directed the film

- Release date – 1 December 2006 (UK)
- Genre – Crime, Drama, Thriller
- Runtime – 85 min
- Certificate – UK 18
- The film was filmed in Brighton, East Sussex, England, UK.

- User rating - 7.1/10 (IMDb)
- Camera - Panavision Cameras and Lenses
- Film negative format (mm/video inches) -16 mm (Kodak Vision2 500T 7218)

- Cinematographic process - Digital Intermediate (2K) (master format), Super 16 (source format)

- Printed film format - 35 mm (blow-up)

- Aspect ratio - 2.35 : 1

Red Road Research

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Red Road

(2006)

Plot
Jackie works as a CCTV operator for Glasgow City council. Daily she watches over a small part of the world, takes seriously her duties to protect the people moving about in her monitors. Then one day a man appears in her monitors, a man she thought she would never see again. Now the opportunity presents itself, she is compelled to confront him. (IMDb)

Cast

Kate Dickie – Jackie
Tony Curran – Clyde Henderson
Martin Compston – Stevie
Natalie Press – April
Paul Higgins – Avery
Andrew Armour – Alfred

Advanced Party Scheme
The company was Advanced Party Scheme. Advance Party Scheme is the name given to a set of three films which are to be produced by executive producers Lone Scherfig, Anders Thomas Jenson and Gillian Berrie, they are all to follow a set of rules.

Rules:
"The scripts can take their starting point in one or more characters or they may be subjected to an external drama. The characters can also participate in a form that is governed primarily by neither characters nor plot.

The films take place in Scotland but apart from that the writers are free to place them anywhere according to geography, social setting or ethnic background. Their back-stories can be expanded, family relations can be created between them, they can be given habits good or bad, and secondary characters can be added if it is proper for the individual film.
The interpersonal relationships of the characters differ from film to film and they may be weighted differently as major or minor characters.
The development of the characters in each story or genre does not affect the other scripts.
All of the characters must appear in all of the films.
The various parts will be cast with the same actors in the same parts in all of the films."

Awards
- 2006 Cannes Jury Prize
- BAFTA Scotland 2006 - Best Screenplay
- BAFTA Scotland 2006 - Best Actress in a Scottish Film (Kate Dickie)
- BAFTA Scotland 2006 - Best Actor in a Scottish Film (Tony Curran)
- BAFTA Scotland 2006 - Best Director
- BAFTA Scotland 2006 - Best Film
- London Film Festival 2006, Sutherland Trophy awarded to "the director of the most original and imaginative first feature film"

Production Companies (some)
Advanced Party Scheme
BBC Films
Glasgow Film Office
Scottish Screen
Sigma Films (in co-operation with)
UK Film Council
Verve Pictures
Zentropa Entertainments (co-producer)
Zoma Films Ltd. (in cooperation with)

Distributors
A-Film Distribution (2007) (Netherlands) (theatrical)
Eclipse Pictures (2006) (Ireland) (theatrical)
Frenetic Films (2007) (Switzerland) (theatrical)
Tartan (2007) (USA) (theatrical)
Verve Pictures (2006) (UK) (theatrical)

Other Companies (some)
Arnold Clarke Car Hire (vehicles)
Audiolink Radio Communications (walkie talkies)
Bellwood Media (negative check)
Compuhire (video playback)
Fatts (post-production script services)
Film Finance (completion guarantor)

Other facts
- Andrea Arnold directed the film
- Running time – 109 min
- Genre – Drama
- UK Cinema Certificate – 18
- Soundtrack - “Morning Glory” by Oasis, “Love Will Tear Us Apart” by Honeyroot
- Release date – 27 October 2006
- Special effects - Rushes post production
- The film was filmed in Barmulloch, Glasgow, Strathclyde, Scotland.

- User rating - 6.8/10 (IMDb)

- Film negative format (mm/video inches) - Digital
- Cinematographic process - Digital Intermediate

- Printed film format - 35 mm

- Aspect ratio -1.85 : 1

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2009-09-24T02:49:00.000-07:00

Introducing myself

2009-09-24T02:29:00.000-07:00

I'm Libby, i am a student at CNS school sixth form. I have created this blog as part of my AS Level in Media. I will update it frequently with as much work as possible.